The Religious Cultural Reference in The Poetry of Najman Yassin
DOI:
https://doi.org/10.25130/jaa.16.57.3.6الكلمات المفتاحية:
نجمان ياسين، المرجعية الثقافية، الشعر، المرجعية الدينية، التناص، الثقافةالملخص
The religious cultural reference is one of the most important cultural references because it is closely related to the human being in general and the writer in particular. The religious cultural reference is also one of the most important sources from which Arab writers have drawn; as it represents the intellectual aspect of the Arab-Islamic civilization. The study of the religious cultural reference is through showing the religious culture spread within the literary work, through a group of quotations, suggestions and references, especially with regard to the verses of the Qur’an and the hadiths of the Prophet or what is related to the places and religious figures rooted in the culture of the society.
This research will be limited to studying intertextuality with the Holy Qur’an and intertextuality with Sufism in the poetry of Najman Yassin because of the clear indications and suggestions spread in many of his poetry collections that he wrote over more than four decades.
The research dealt with studying the reference and culture in language and terminology, and their concept in general, and intertextuality, which is one of the most important terms related to this religious cultural reference, and then determining its manifestations in the poetic texts, and clarifying its formation and importance in the texts through analyzing various poetic models, and in multiple poetry collections issued by the poet.
At the end of the research, we reached many conclusions, the most important of which is that the intertextuality with the dictionary of the words of the Qur’an is clear, especially the mention of the beautiful names of God, in addition to the availability of the Sufi dictionary in his poetic texts, and in many cases their overlap through the poet’s influence by the Sufi experience. In addition to that, the phenomenon of rejection was observed in his poetry.
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