Artistic Patterns of the Moon: A Study of Selected Models of Abbasid Poetry

Abstract

Research topic: This study aspires to evoke the aesthetic elements of lunar patterns in the Abbasid poetry corpus within the framework of the momentum of expressive energies of its image and its manifestations in the poetic structure. Indeed, there are desired artistic goals and purposes, which the Abbasid poet was keen to achieve a prestigious position for, and to which he paid great attention, and this is clearly evident in the development of his creative discourse through his investment in this natural phenomenon.

Research objectives: The research aims to explore the moon's masks and implications, in addition to its abundant semantic spaces, through selected models that carry within them prominent intellectual, cultural and psychological sediments, which the singers of Abbasid poetry take refuge in in their purposes and intentions; to reveal the self's vision of the universe and its fixed laws.

Research methodology: If we intend to define the study with a critical approach that reveals the ambushes of the poetic text and penetrates its thresholds, then the descriptive analytical approach has imposed itself on it.

The most important results: The moon's desires have entered the pillars of the poetic image until it has become a distinctive aesthetic literary structure in its artistic formation.

Therefore, the study delves into the contents and interpretations of the expressive significance of the moon, especially what lies behind its shapes and astronomical phases of brilliant literary and artistic systems, which reveal the poet's culture and highlight a superior ability to inspire new Abbasid paintings.